Areião
Synopsis
Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.
Credits
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How many hands made this film
The scale of the collaboration
Principal cast & crew: 18
These are the principals we have on file — the full crew ran to the hundreds. Every film this size was made by far more hands than any credits list ever names.
Why a floor?
This is a minimum, not a total. We only count the credits we’ve captured so far, and coverage is uneven — a blockbuster might show a few hundred names while another of the same size shows a couple dozen. The real crews all ran into the thousands. The number here only grows as full credits are enriched — so we frame it as a floor, never a headcount.
Craft leads on file
Edited by Gino TalamoShot by Ugo LombardiScored by Enrico Simonetti
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Cast & Crew
18 unique people credited
Top billed cast
Directors
1Writers
4Producers
1Other crew
3Parents Guide
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