Ella

*Ella*—well, she has a name too—*Luna* (Patricia Garza)—is actually about her much older husband and painter *Alfredo* (Paul Vega), and his choice of actions and reactions after she decides to leave him for a lover that he wasn't aware of. Alfredo has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession—capturing with a camera her every movement in the house when she’s not posing for him, and memorizing her every physical feature, moles and warts included—he’d apparently counted twenty-seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman.