End of the World

Set against the backdrop of a dark night in Poland, the Mayan doomsday prophecy casts a shadow over the events of the film. A late-night radio host receives calls from listeners voicing their concerns, predictions, and theories about what might happen when—or if—the sun rises. At the same time, a crisis center dispatcher handles frantic calls from individuals in urgent, real-life distress. The film interweaves these voices with an intimate therapy session and the journey of a taxi driver, offering a portrait of a city where people seek to be heard. Without showing the callers themselves, the film constructs an auditory landscape of a city in the dark. As the night unfolds, the continuous stream of calls reveals the personal and existential struggles of individuals facing both immediate problems and abstract fears—in a world that may soon cease to exist.