Messiah
Synopsis
Filmmaker William Klein takes on Handel’s Messiah and has created a concert film that mixes the sacred with the profane. Performed in its entirety, the oratorio provides a narrative of Christ’s nativity, passion and resurrection juxtaposed against images of absurdities and abuses against the human species across the world. The film reveals a wide array of worshippers from the Bodybuilders of Christ to the Lavender Light Gay and Lesbian Interracial Choir to the Dallas police choir.
Credits
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How many hands made this film
The scale of the collaboration
Principal cast & crew: 16
These are the principals we have on file — the full crew ran to the hundreds. Every film this size was made by far more hands than any credits list ever names.
Why a floor?
This is a minimum, not a total. We only count the credits we’ve captured so far, and coverage is uneven — a blockbuster might show a few hundred names while another of the same size shows a couple dozen. The real crews all ran into the thousands. The number here only grows as full credits are enriched — so we frame it as a floor, never a headcount.
Craft leads on file
Edited by Francoise ArnaudShot by William Klein
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Cast & Crew
16 unique people credited
Top billed cast
Charlotte Hellekant
as Solistes - alto
Lynne Dawson
as Solistes - soprano
Nicole Heaston
as Solistes - soprano
Magdalena Kozena
as Solistes - mezzo soprano
Brian Asawa
as Solistes - countre-tenor
John Mark Ainsley
as Solistes - tenor
Russell Smythe
as Solistes - baryton
Brian Bannatyne Scott
as Solistes - basse
Marc Minkowski
as conductor
Anton Steck
as Orchestra - violins
Directors
1Writers
1Producers
1Other crew
4Parents Guide
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