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Poster for Television Under the Swastika
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Released
1999 · FILM

Television Under the Swastika

Directed by
Written by
Runtime
55 min
Language
DE
DocumentaryHistory

Synopsis

Television in Nazi Germany began to take shape in the mid-1930s, with the German government playing a central role in its development. In 1935, the Reichsrundfunkgesetz (Reich Radio Act) was passed, centralizing control of all radio and emerging television broadcasts under the state. The Reichs-Rundfunk-Gesellschaft (RRG), the national broadcasting company, was responsible for overseeing programming and technological advancements. The first public television broadcasts began in Berlin in 1935, using a 30-line mechanical system developed by the German company Telefunken. These broadcasts were limited in scope and primarily served as demonstrations of technological progress, with programming consisting of news, cultural events, and state-sponsored propaganda. The Nazi regime used television as a tool for ideological dissemination, promoting messages aligned with National Socialist values. By 1939, as World War II began, television broadcasting was suspended due to resource constraints and the need to prioritize military and industrial efforts. However, during the war years, research and development in television technology continued, particularly in the field of radar and electronic systems, which had dual civilian and military applications. Despite limited public access, the groundwork was laid for post-war television development in Germany.

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How many hands made this film

The scale of the collaboration

Principal cast & crew: 12

These are the principals we have on file — the full crew ran to the hundreds. Every film this size was made by far more hands than any credits list ever names.

Why a floor?

This is a minimum, not a total. We only count the credits we’ve captured so far, and coverage is uneven — a blockbuster might show a few hundred names while another of the same size shows a couple dozen. The real crews all ran into the thousands. The number here only grows as full credits are enriched — so we frame it as a floor, never a headcount.

Craft leads on file

Edited by Monika Finneisen

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