Synopsis
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
Credits
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How many hands made this film
The scale of the collaboration
Principal cast & crew: 13
These are the principals we have on file — the full crew ran to the hundreds. Every film this size was made by far more hands than any credits list ever names.
Why a floor?
This is a minimum, not a total. We only count the credits we’ve captured so far, and coverage is uneven — a blockbuster might show a few hundred names while another of the same size shows a couple dozen. The real crews all ran into the thousands. The number here only grows as full credits are enriched — so we frame it as a floor, never a headcount.
Craft leads on file
Edited by Sheherazade SaadiShot by Robert KramerScored by Barre Phillips
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Cast & Crew
13 unique people credited
Top billed cast
Alfred Filbert
as Self - Doktor 'S'
Thomas Harlan
as Self - The Director
Hertz Nativ
as Self - Makeup Man
Ursula Langmann
as Self - Interpreter
Henri Alekan
as Self - Director of Photography
Jimmy Glasberg
as Self - Camera Operator
Roland Allard
as Self - Photographer
Heike Geschonneck
as Self - Assistant Director
Georges Liatard
as Self - Double
Pierrot Devos
as Self - Chief Electrician
Directors
1Producers
2Other crew
3Parents Guide
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