Known for
Ranked by community engagement + sustained interest across this person's catalogued credits.
Biography
No biography yet. Know Cecilio Paniagua’s story? Join Filmarian and help write it — every page is community-editable, human-reviewed.
Sign in to contribute →Filmography · 79 of 79
Cinematographer
79 creditsThe Mysterious House of Dr. C.(1979)
Cinematographer
Film
Companys, procés a Catalunya(1979)
Cinematographer
Film
Los restos del naufragio(1978)
Cinematographer
Film
My Daughter Hildegart(1977)
Cinematographer
Film
La mujer es un buen negocio(1977)
Cinematographer
Film
The Mistress(1976)
Cinematographer
Film
Las delicias de los verdes años(1976)
Cinematographer
FilmLas primeras experiencias(1975)
Cinematographer
Film
The House of Exorcism(1975)
Cinematographer
Film
Lisa and the Devil(1973)
Cinematographer
Film
El triangulito(1972)
Cinematographer
Film
Colpo grosso... grossissimo... anzi probabile(1972)
Cinematographer
Film
The Great Treasure Hunt(1972)
Cinematographer
Film
Treasure Island(1972)
Cinematographer
Film
Devil's Ransom(1971)
Cinematographer
Film
The Hunting Party(1971)
Cinematographer
Film
Cross Current(1971)
Cinematographer
Film
Adiós cordera(1969)
Cinematographer
Film
100 Rifles(1969)
Cinematographer
Film
Rebus(1968)
Cinematographer
Film
Un diablo bajo la almohada(1968)
Cinematographer
Film
Yo he visto a la muerte(1967)
Cinematographer
Film
Custer of the West(1967)
Cinematographer
Film
Las que tienen que servir(1967)
Cinematographer
Film
Island of the Doomed(1967)
Cinematographer
Film
Posición avanzada(1966)
Cinematographer
Film
How Do I Love You?(1966)
Cinematographer
Film
Dr. Coppelius(1966)
Cinematographer
Film
Balearic Caper(1966)
Cinematographer
Film
Las viudas(1966)
Cinematographer
Film
Memorable quotes
Browse all →No quotes logged for Cecilio Paniagua yet — add the first memorable line below.
Got a quote we’re missing?
Submit a line from any film, show, or game.
Edit history
Loading edit history…
Comments (0)
on Cecilio PaniaguaNo comments yet. Be the first to share what you think.





