Person
Jaroslava Chalasova
In short · Working since 2009, 3 decades active, 11 credits.
Known for
Ranked by community engagement + sustained interest across this person's credits in our database.

The Marvels(2023)
senior visual effects texture artist: Trixter

Doctor Strange in the Multiverse of Madness(2022)
visual effects assets lead: Trixter

Foundation(2021)
asset lead: Trixter / Asset Lead: TRIXTER4 episodes • 2023

The Jungle Book(2016)
texture artist: MPC

The Last Witch Hunter(2015)
texture artist

Jurassic World(2015)
visual effects texture artist
Help complete this page
We’re missing one-line descriptor, biography, birthplace, birth date. Sign in to add what you know.
Biography
No biography yet. Know Jaroslava Chalasova’s story? Join Filmarian and help write it — every page is community-editable, human-reviewed.
Sign in to contribute →Filmography · 11 of 11
A platform appears here when one of these titles streams on it. Click to filter — pick several to combine.
Actor
1 creditOther crew
10 credits
The Marvels(2023)
senior visual effects texture artist: Trixter
Film
Doctor Strange in the Multiverse of Madness(2022)
visual effects assets lead: Trixter
Film
Foundation(2021)
asset lead: Trixter / Asset Lead: TRIXTER4 episodes • 2023
TV
The Jungle Book(2016)
texture artist: MPC
Film
The Last Witch Hunter(2015)
texture artist
Film
Jurassic World(2015)
visual effects texture artist
Film
X-Men: Days of Future Past(2014)
Jaroslava ChalasovaJaroslava Chalasovatexture artist: MPC
Film
A Good Day to Die Hard(2013)
texture artist
Film
The Wolverine(2013)
Jaroslava ChalasovaJaroslava Chalasovatexture artist
Film
Pandorum(2009)
3d artist: UPP / texture artist
Film
Originals
Streaming originals this person worked on.
Memorable quotes
Browse all →No quotes logged for Jaroslava Chalasova yet — add the first memorable line below.
Got a quote we’re missing?
Submit a line from any film, show, or game.
Edit history
Loading edit history…
Comments (0)
on Jaroslava ChalasovaNo comments yet. Be the first to share what you think.

