Person
Laurence Chong
In short · Working since 2013, 2 decades active, 13 credits.
Known for
Ranked by community engagement + sustained interest across this person's credits in our database.

Disclosure Day(2026)
Actor

Blue Beetle(2023)
visual effects production: Digital Domain

Black Panther: Wakanda Forever(2022)
production: Digital Domain

The New Mutants(2020)
Laurence ChongLaurence Chongtracking & layout artist: Method Studios

Black Panther(2018)
matchmove artist: Method Studios

Transformers: The Last Knight(2017)
digital artist: ILM
Help complete this page
We’re missing one-line descriptor, biography, birthplace, birth date. Sign in to add what you know.
Biography
No biography yet. Know Laurence Chong’s story? Join Filmarian and help write it — every page is community-editable, human-reviewed.
Sign in to contribute →Filmography · 13 of 13
A platform appears here when one of these titles streams on it. Click to filter — pick several to combine.
Actor
1 creditOther crew
12 credits
Blue Beetle(2023)
visual effects production: Digital Domain
Film
Black Panther: Wakanda Forever(2022)
production: Digital Domain
Film
The New Mutants(2020)
Laurence ChongLaurence Chongtracking & layout artist: Method Studios
Film
Black Panther(2018)
matchmove artist: Method Studios
Film
Transformers: The Last Knight(2017)
digital artist: ILM
Film
Thor: Ragnarok(2017)
matchmove artist: Method Studios
Film
Pride and Prejudice and Zombies(2016)
matchmove artist: Cinesite
Film
The Divergent Series: Insurgent(2015)
matchmove artist: Animal Logic
Film
Ant-Man(2015)
matchmove artist: Cinesite
Film
Interstellar(2014)
matchmover: Double Negative
Film
Hercules(2014)
matchmove artist: DNEG
Film
47 Ronin(2013)
stereo matchmove artist: Framestore
Film
Memorable quotes
Browse all →No quotes logged for Laurence Chong yet — add the first memorable line below.
Got a quote we’re missing?
Submit a line from any film, show, or game.
Edit history
Loading edit history…
Comments (0)
on Laurence ChongNo comments yet. Be the first to share what you think.
