
Person · Director
Tiffany Johnson
A determined New Hampshire state representative fights to pass bold environmental reforms as political rivals, corporate interests, and public skepticism threaten to derail her mission.
- Also:
- Casting Director
- Writer
- Producer
In short · Directing since 2003, 3 decades active, 11 credits.
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Biography
Tiffany J. Johnson is a television director who trained in the American Film Institute’s Directing Workshop for Women, where she directed the short film *Marabou*. Her first short, *Ladylike*, a collaboration with Nicholas P. Williams, screened at multiple festivals and won the Director’s Choice Award at the Diversity in Cannes showcase. Over time, she has built a reputation for bringing stylised visual storytelling and perspectives centred on Black characters to film and television.
In television, Johnson has directed episodes for series such as *Black Monday* (2019), *Dear White People* (2017), *Boomerang* (2019), *Twenties* (2020), *The Last O.G.* (2018), and *SOLOS* (2021). In *How to Die Alone* (2024), she directed episode five, “Trust No One,” and another episode in the season.
Johnson has also directed and produced short and digital series work. Her short *Girl Callin’* (2020) was nominated for Best U.S. Short at Palm Springs International ShortFest. The digital series *Girls Room* (2020) won the Tribeca X Award for Best Episodic Short Series. Her documentary or hybrid-genre film *The Beauty of Blackness* (2022) won the Tribeca X Award for Best Feature Film.
Among her accolades, Johnson received the 2025 NAACP Image Award for Outstanding Directing in a Comedy Series for *How to Die Alone* (S1.E5 “Trust No One,” 2024). She was previously nominated for a 2022 NAACP Image Award for Outstanding Directing in a Comedy Series for *Black Monday* (Episode: “Eight!,” 2021).
Filmography · 10 of 10
Director
2 creditsWriter
1 creditActor
5 creditsProducer
2 creditsOriginals
Streaming originals this person worked on.
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Additional credits1Show
Non-headline appearances — talk-show, awards-show, panel, and archive-footage credits, kept separate from the main filmography.
- Cheer Lives L.A.Self · 2019
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