Synopsis
One of Terrence Malick's recurring thematic elements is his use of fire and water, which shows a notable evolution between his early and later works. In his early films such as *Badlands* and *Days of Heaven*, Malick emphasizes fire. However, in his later films including *The Thin Red Line*, *The New World*, *The Tree of Life*, and *To the Wonder*, water becomes the dominant element. In *To the Wonder*, Malick completely omits fire for the first time in his career, marking a full transition to water as the central motif.
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