Person
Dean Beville
In short · Working since 1981, 4 decades active, 20 credits.
Known for
Ranked by community engagement + sustained interest across this person's credits in our database.
Help complete this page
We’re missing one-line descriptor, birthplace, birth date. Sign in to add what you know.
Biography
Dean Beville is known as a sound effects editor, sound editor, supervising sound editor, sound designer, ADR editor, sound supervisor, supervising ADR editor, ADR supervisor, ADR & dubbing specialist, foley editor, and music editor. Some of their work includes *Pulp Fiction*, *Spider-Man*, *Jackie Brown*, *Speed*, *From Dusk Till Dawn*, *Apollo 13*, *Starship Troopers*, and *Equilibrium*.
Filmography · 20 of 20
A platform appears here when one of these titles streams on it. Click to filter — pick several to combine.
Actor
1 creditEditor
17 credits
Oldboy(2013)
sound effects editor
Film
Spy Kids 3: Game Over(2003)
sound designer / supervising adr editor / supervising sound editor
Film
Spy Kids 2: Island of Lost Dreams(2002)
supervising sound editor
Film
Along Came a Spider(2001)
sound effects editor
Film
Charlie's Angels(2000)
sound effects editor
Film
Digging to China(1997)
supervising sound editor
Film
Spawn(1997)
supervising sound editor
Film
Starship Troopers(1997)
sound effects editor
Film
Desperado(1995)
supervising sound editor
Film
Showgirls(1995)
sound effects editor
Film
Apollo 13(1995)
sound effects editor
Film
Pulp Fiction(1994)
sound editor
Film
The Little Rascals(1994)
sound editor
Film
Basic Instinct(1992)
foley editor: Los Angeles
Film
He Said, She Said(1991)
assistant editor
Film
Flatliners(1990)
apprentice editor
Film
Escape from New York(1981)
assistant to assistant film editor
Film
Other crew
2 creditsMemorable quotes
Browse all →No quotes logged for Dean Beville yet — add the first memorable line below.
Got a quote we’re missing?
Submit a line from any film, show, or game.
Edit history
Loading edit history…
Comments (0)
on Dean BevilleNo comments yet. Be the first to share what you think.



