Person · Cinematographer
Lukas Strebel
- Also:
- Camera Department
- Assistant Director
In short · Shooting since 1988, 5 decades active, 23 credits.
Known for
Ranked by community engagement + sustained interest across this person's credits in our database.
Help complete this page
We’re missing one-line descriptor, biography, birthplace, birth date. Sign in to add what you know.
Biography
No biography yet. Know Lukas Strebel’s story? Join Filmarian and help write it — every page is community-editable, human-reviewed.
Sign in to contribute →Filmography · 23 of 23
A platform appears here when one of these titles streams on it. Click to filter — pick several to combine.
Cinematographer
23 credits
Abendland(2024)
Cinematographer
Film
The Placebo Effect(2019)
Cinematographer
Film
Elizabeth Is Missing(2019)
Cinematographer
Film
Shillings from Heaven(2018)
Cinematographer
Film
Remainder(2015)
Cinematographer
Film
Dora or The Sexual Neuroses of Our Parents(2015)
Cinematographer
Film
The Challenger Disaster(2013)
Cinematographer
Film
The Secret Diaries of Miss Anne Lister(2010)
Cinematographer
Film
Dead Clever: The Life and Crimes of Julie Bottomley(2007)
Cinematographer
Film
Wall of Silence(2004)
Cinematographer
Film
The Lazarus Child(2004)
Cinematographer
FilmCollusion(2003)
Cinematographer
Film
State of Mind(2003)
Cinematographer
Film
Epstein's Night(2002)
Cinematographer
Film
Sherlock(2002)
Cinematographer
Film
Opera Ball(1998)
Cinematographer
Film
Flammen im Paradies(1997)
Cinematographer
Film
Die Halbstarken(1996)
Cinematographer
Film
Charleys Tante(1996)
Cinematographer
Film
Kinder der Landstrasse(1992)
Cinematographer
Film
Der Berg(1990)
Cinematographer
Film
All Out(1990)
Cinematographer
Film
Filou(1988)
Cinematographer
Film
Memorable quotes
Browse all →No quotes logged for Lukas Strebel yet — add the first memorable line below.
Got a quote we’re missing?
Submit a line from any film, show, or game.
Edit history
Loading edit history…
Comments (0)
on Lukas StrebelNo comments yet. Be the first to share what you think.
